ENGLISH PDF VERSION - LINK
PDF VERSION IN SPANISH - LINK
PAPER VERSION ENG - LINK
PAPER VERSION ITA - LINK
VIDEO ATTACHMENTS - LINK
PREVIEW IN ENGLISH - LINK
PREVIEW IN SPANISH - LINK
PREVIEW IN ITALIAN - LINK
A teaching method entirely dedicated to the study of the greatest bass player in history, Chapters and topics (all deepened with audio examples, backing tracks and video lessons) will be: 1 - Complete discography
2 - Jaco's detailed instrumentation (basses, strings, setups, amps, etc. etc.)
3 - Advanced exercises on the triads
4 - Exercises on arpeggios in 4 and more voices
5 - Exercises on scales, modes, etc.
6 - Exercises and left hand technique
7 - Exercises and right hand technique
8 - Study of fretless bass (intonation, sound, embellishments, melodic phrases etc.. )
9 - Natural and artificial harmonics (Various techniques to play them, and tips on how to use them)
10 - The walking bass (Various exercises and analysis of Jaco's "walking" style of playing)
11 - Jazz and Beebop (Exercises and examples on how to compose phrasing or improvisations in jazz musical contexts, in the style of Jaco) 12 - Study and analysis of melodies, and improvisations and phrasing of other instruments (Sax, keyboards etc.. ) and transcriptions and analysis of classical music compositions (Bach etc.)
13 - Jaco Cliche' (Analysis, exercises and advice on techniques, musical phrases, etc. typical of Jaco)
14 - Creating grooves, fills, melodies (in various musical genres) putting into practice all the topics covered
15 - Harmonic and melodic analysis of many of his compositions
16 - Playing his songs
Copyright Notice
The short transcriptions and musical excerpts included in this volume are used solely for the purposes of analysis, scholarship, and education.
All referenced works remain the property of their respective authors, composers, and publishers, who retain all rights under applicable copyright law.
The musical excerpts are reproduced in limited form and are not intended to replace or fully reproduce the original works. They serve exclusively to illustrate concepts of music theory, harmony, technique, and performance practice.
This material does not constitute a publication, distribution, or public performance of the original works.
Should any copyright holder have concerns or requests, the author is fully willing to remove, revise, or otherwise address the relevant material in accordance with applicable copyright regulations.
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